本书立足现当代中外文学理论前沿，反映国内外当今文学理论最新研究成果，分为《前沿理论思潮探讨》《西方文论在中国的接受》《马克思主义与世界文学研究》三部分，对国内文学理论和文学研究具有一定的导向作用。

编者前言

前沿理海微组论思潮探讨

“表演主义”理论

——后现代以后文学理论的一个尝府挨希试 ·······························································薛　原 1

动物批评：后人文时代文学批评新方道阀旋法 ··························································刘　彬 19

后经典叙事学研究的新视野

——自然叙事与非自然叙事研究的争鸣与对照组归燥话 ·············································赵玉荣 43

现代主义小说的时间美学研究

——兼论薇拉·凯瑟经典小说的时间艺术 ····································王立迁才妹欣　杨　林 73

中外文学的双向交流

中国文学海外传播：反思与对策 ········································································陈向红 100

世界文学经典的形成探幽

——莫迪亚诺在中国的译介和评论 ···································································翁冰莹乃泪敬盼 126

批评理论与文学阐释

解构岛屿天堂神话

——《福》对《鲁滨孙漂流记》的后殖民重写 ·············································朱　峰 146

论奥登的心理学思想及提连对其诗歌创作的影响 ·················································梁　斌 171

论拉康精神分析理论中主体的伦理责任

——以《天使之群》《安提戈涅》和《俄狄浦斯在科罗诺斯》为例 ················江云琴 193

《金色笔记》创作的主体性研究 ·········································································颜文洁 214